Sam, Akira, and Jordan

It’s been a few years since Sam’s last stint at Blues and Jazz, and now the Boston-based guitarist and singer is back with the “classic trio” (plus one more) to rock the new location.  The rest of his classic trio I speak of, in case you weren’t around when they played either of the two stints at the old House of Blues and Jazz, around 2 and 4 years ago, are drummer Akira Nakamura and bassist Jordan Scannella, famous for laying down extra-solid grooves in many styles all night, every night.  And as a bonus, they’ve added keyboardist Todd Marston to the mix this time, who arrived this week to give Sam some extra chordal support.  Sam is a solid guitarist, but having a keyboardist should leave him a bit more space to focus on the vocals sometimes.  I have to get back down there soon to check them out as a quartet, because I’m guessing that it has compounded the greatness of this already amazing group.

Sam and his band play the hell out of blues, rock, funk, and soul, but I might be leaving something out because they are pretty darn versatile.  If you’re lucky, you might be able to get Jordan to show off his mad freestyle skills, for example.  And don’t be surprised if they bust into some reggae grooves or drum n’ bass.  And I believe there’s plenty of original music getting performed by these guys, though they don’t hesitate to pay homage to the greats of these genres.

The group is doing a 3-month contract I believe, finishing out the end of the year before something else happens in there.  When I went to hear them early last week, there were at least a few dozen people in there, so I guess that means the new location of the club is starting to catch on pretty well.  Not to mention they’re hiring groups that really know how to get the crowd going, like Sam Hooper and the hard-working showman who just finished his contract, Carlton J. Smith.  Hooper’s band has quite a different sound than his predecessor Carlton, but both have been invited back to the House multiple times so they’re all doing something right.

They are also keeping the Sunday night jam session tradition alive, so bring your axe down on Sunday if you like to play funk, soul, blues, jazz or something else you can jam with other people on!

Who would have thought?

These three fantastic jazz vocalists will do a unique performance this Saturday night at a venue I haven’t been to yet, called Lounge 18. Coco says it’s a fantastic space, which means it should be perfect for the magical evening the group has planned for Saturday. Joining the three singers will be Tinho Pereira, the extraordinary Brazilian bass player who joined Coco and Heidi for their recent show at the Oriental Arts Center, as well as Willow Neilson, an Australian saxophonist who is not playing sax at this show but instead playing Mbira, which is the Zimbabwean thumb piano. It’s quite a unique set of sounds to mix together, and a fantastic set of musicians, so expect an amazing night.

Saturday August 23, 9pm-10:30pm
Lounge 18 (18 on the bund, 4F–18 Zhongshan Dong Lu, near Nanjing Lu)
Free Entry

The first three nights (including tonight and tomorrow night) also feature live jazz from the Magnificent Seven to accompany the busty entertainers in their wild and humorous performance. The Atomic Bombshells are a Seattle-based group of gorgeous performers who wow the audience with their 1940s-style dance/strip-tease show, aided of course by a well-dressed and handsome male MC. The choreography is pristine, the band is swinging, and the Bombshells are HOT!  Above is a video of bombshell Kitten LaRue in a performance this last April in Seattle.

The burlesque shows will continue on Monday and Tuesday night without the live band.

Glamour Bar: 5 on the bund, 6F (number 20 Guangdong rd.)  Reserve a table at 6350-9988 or reservations@m-theglamourbar.com.  No cover, performance begins at 10:30pm

Speakeasy party : Jean Georges, 3 on the bund 4F

No cover charge, music starts after 10pm

In the past few weeks, Jessica Maurer and others have been performing intermittently at the club undercover style. Carlton has been in Shanghai already for at least a month, with the original plan of organizing a locally-based rhythm section, from what I understand. However, in the end they have flown out musicians from New York (including his drummer Joe who joined him on his last contract at B&J) and they will play for the next three months.

They had a private grand opening party last Friday to celebrate the occasion, and I got to hear the band. They’re quite solid, obviously these guys are very familiar with all the arrangements and have been playing with Carlton for some time. The German keyboardist does a great job covering the horn parts on the keyboard for all the soul tunes. The guitarist, also originally from Germany, has a good sound too. The bassist is from New Jersey.

The new place is huge, check it out if you haven’t made it yet! They’ve done a great job with the setup, so it’s great that finally it can go forward.

I’ve listened to sound samples from their website, and the music is all impressive. Definite references to Coltrane (they’re definitely channeling the second quartet in the tune I’m listening to now) but not in a copycat way, but rather in an energetic way, which I have a feeling is going to make their live show amazing.

RMB 50
Wed May 7, 9pm
Glamour Bar: 5 on the Bund, 6F
(021) 6350 9988, 6329 3751

I got to go check out the new location of the House of Blues and Jazz the other day on Fuzhou lu just near the bund, right across the street from the Captain hostel. It looks like the new space is going to resolve all the issues the last place had while also adding a few nice new features to the entire package. The entire space is quite large, as they’re planning to use a bigger room towards the back as a dining room, where they will serve lunch and dinner. They are planning to be open from lunchtime straight onward through the late night showtime, quite an extension compared to before. Also the new place doesn’t have a big column in the middle of the stage blocking your view of half the band.

Lin Dongfu and Song Lan have spent an extra-long time (and extra-huge amount of money) making the new space just right, using the same wood paneling decoration concept as the last place–in fact much of the paneling came directly from the old building. They have 2 levels again, but this time the second level has a whole section where you can look down onto the band. They had to rebuild the frame holding up the second level, as the original framework was rickety and unreliable. They have replaced all the windows and installed a central gas heating system so as not to have to use air conditioners blowing air to heat the place in winter. The stage is just big enough for a normal-sized band, certainly larger than the last one but in a bit of a strange shape I think. It’s an even square, but because it’s facing both into the bar area in one direction as well as the main music listening seating area, no one side can be considered the front. Instead, the front seems to be the corner that faces both the seating area and the bar area. I suppose we’ll just see how the shape works out once people start playing on it.

Jazz lives again on the bund

I think the bund has nearly come full circle and its time as THE nightlife spot of Shanghai is returning. Number five may have come just a tiny bit too early, but even already then it wasn’t lack of business that shut it down. More and more great spots are opening at every part of the bund as well as on the streets set back from the bund. I’m convinced that it’s going to be the best place to hang out in town once they finish the underground tunnel for cars and get the pedestrian thing happening along the riverfront.

Live jazz has had a hard time maintaining anything on the bund, with number five lasting only 7 months as a full-on jazz club, and other places only featuring live jazz for limited amounts of time. Right when bund 6 opened, Tiandi on the 3rd floor had regular jazz for a good chunk of time–but didn’t seem to get the punters in with much consistency. Glamour bar and New Heights have always had jazz shows now and then, but neither have ever been “jazz clubs” per se, and they’re not trying to be. Now JG has started semi-regular jazz parties, but it doesn’t seem to be trying to become a full-on jazz club either. And of course CJW has been open for a few years now at its Bund Center location, but I would argue that it’s not close enough to the bund to be really considered “at the bund”. Even if the building is called the Bund Center.

So with one of the earliest mainstays of live jazz in Shanghai moving to the bund, it feels to me like a pretty significant symbolic event. Jazz is making the return to its earliest location in town once again, and this time it seems like it can’t fail.