The most successful year so far
This past weekend, the Shanghai Jazz Festival held in Jing’an park for the first time was an overwhelming success, with tickets selling out for each of the three days. Enough hype was created to make the entire thing a highly desirable destination, with hundreds being turned away at the gates expecting to be able to buy tickets on the day of. Luckily, the water stage offered some free music for the unlucky souls who weren’t able to get into the main festival grounds, with bands playing all afternoon Saturday and Sunday.
The water stage had a great mix of styles, as did the entire festival; generally it featured smaller groups and locally-based favorites like Abraham Carmona, Coco Zhao, Erica Li, and perennial visitors from Japan–the band called YAA (Yokohama Artists Association).
Of course it was the main stage’s eclectic mix of local and foreign jazz, funk, blues, rock, and pop groups that managed to draw such massive crowds all weekend, and listeners stayed around even through the (luckily short-lived) rainstorm Saturday afternoon. Sunday’s hot and humid weather didn’t keep anyone away either, and in the evenings the temperature was ideal.
Highlights
Friday night’s opening ceremony was just that, the symbolic gesture of cooperation with the JingAn district to put the entire thing together. The bands that night played short sets, with just a few tunes from Rolf Becker’s JZ All-star Big Band before and after the ribbon-cutting ceremony, a few tunes from the Shanghai Latin Project, and then a longer set from Tian Square, a Beijing jazz group. But of course, the main draw Friday night was Gilles Peterson’s DJ set, which didn’t disappoint. He got the crowd dancing through his hour-long set, and it felt too short when it ended. I guess it’s always good to leave everyone wanting more.
Saturday was packed full of shows, and the rain only managed to interrupt the water stage’s schedule. I’m sure I missed some great bands during the time I was playing on the water stage Saturday afternoon, so please leave comments if you caught the bands on the main stage at that time. That would have been the Rhythm Junks, Xiao Juan, and Tuan Jie Hu Groove.
I did get to hear Bai Tian’s sextet start the day off on the main stage, which was excellent. Bai Tian, or Mark Bai, has been establishing himself in town as quite a skilled composer and arranger in recent years, and his set at the festival got the day started right in spite of the quick but heavy rain that hit during his set. That evening, after the 3 bands I missed, I witnessed Joanna Wang hypnotizing the packed field of fans with her gorgeous singing before Incognito rocked the house with their funky soul grooves. Incognito’s show was probably the most fun I had all weekend. But it didn’t end there, because the after party at JZ club saw plenty of musicians jamming together late into the night. After Andy Hunter and I got the show started with one sextet set, Alec Haavik and Toby Mak continued with another set which segued into a crazy jam. I saw some musicians from the Rhythm Junks jamming, as well as most of Alexandre Cunha’s band at one point (who played at the festival the following day) and then later on most of Incognito played a few long, rocking funky jams. That pretty much capped the evening, however I couldn’t keep my eyes open to stay any longer but I believe more jamming ensued subsequently. There was also a killer trumpet player jamming with them at the end, a woman who must have been playing with a band whose set I missed because I didn’t recognize her from any of the sets I saw. Anyone know who that was?
Sunday was generally a bit louder, though it started with a low-key set from Lawrence Ku’s guitar trio. Things got rolling when Sugar Mama and Eugene ‘Hideaway’ Bridges each did a half set with Greg Smith and the Cotton Club band, doing some rockin’ down home blues. Zhang Ling’s band from Beijing followed with an even more rocking set, and then things turned a fresh direction when Alexandre Cunha’s band came on with their tight, rhythmic Brazilian jazz. Cunha’s group was my favorite among those who played on Sunday, perhaps because it was such a nice contrast to all the other groups that played that day. Li Quan, a local favorite, followed with some better-than-average jazz-pop songs before Laura Fygi did her festival-closing set backed up by the JZ all-star big band led by Rolf Becker. She brought down the house with her solid voice, voluptuous dancing, and suggestive commentary. I have seen her perform at other events to a CD backing track and always been disappointed, but she really was fantastic with the live big band. That band creates some intense energy onstage.
Now what?
As great as the festival was, there were plenty of problems. Since most of them were small, it didn’t detract much from the overall great vibe; however I hope that they manage to set up some ways to receive feedback about it so that many of the issues are resolved for next year’s event. As I understand it, this year was really a sort of test year for the Jing’an district government to see how it went so they can perhaps increase the scale for coming years.
I’ve already put together a list of suggestions I’d like to give them to improve for next year, including things like selling food inside the festival grounds (or at least letting you re-enter the gate to buy the food outside! To their credit, they did in fact finally allow re-entry on Sunday), not running out of beer at the drink stand, more trash cans around the field, etc. If you have suggestions, leave them in a comment and I’ll pass them on to the right people also!
” here in town with a number of local traditional intrumentalists. There’s more information about the project on 